"Not being able to wipe away the blood, not being able to erase the fact that it has flowed. To make the deed and thus also the guilt visible, even if the perpetrators never raised their own hands and the victims remained invisible: There is blood on your hands." This is how Asal Dardan justifies the need to remember, the responsibility of those born after.
In "Traumaland" , she creates a new topography of Germany, goes in search of traces, shows parallel and contrasting experiences in the immigration society. The past projects painfully into our present; the crimes of National Socialism find a cruel echo today in racist acts of violence.
In cooperation with the Württembergischer Kunstverein Stuttgart.
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