The evening at the Makroscope - Center for Art and Technology and Museum for Photocopying, which is also home to the Shiny Toys Festival and the Ana Ott record label, reflects the venue's expanded understanding of art. The artists transcend musical boundaries by experimenting with harmony, rhythm and sound textures. Their performances challenge the traditional structures of tonality and meter and transform them through digital and electro-acoustic manipulations. Sicilian Francesca Guccione combines classical violin music with experimental electronic elements, opening up new harmonic spaces through microtonality and unorthodox sound distortions. Yana Selezneva from Georgia uses contrasting rhythms and rhythmic disruptions that break through the traditional flow of time and create emotional intensity. For Blaues Rauschen, Midori Hirano swaps the piano for the synthesizer and unleashes the possibilities of sound synthesis to redefine textures and frequencies. The live visuals by Markus Wambsganss (Kaliber16) reinforce this experimental character by visually translating the sonic dynamics and creating a synaesthetic experience.
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