DOTA - In der fernsten der Ferne – Tour 2025

In the organizer's words:

Kaléko for the second time. After the great success of the first album, Dota once again dedicates herself musically to the poet's texts.

Mascha Kaléko began writing in Berlin in the 1920s, publishing in daily newspapers from 1929 onwards; her early poems are trenchant everyday sketches in Berlin dialect. She made a name for herself, socializing with the greats of Berlin bohemia in the Romanisches Café. Her first book, "Das lyrische Stenogrammheft", was published in 1933 and was immediately well received. Her success as a writer came to an abrupt end when the Nazis came to power. As a Jew, she was no longer allowed to publish. She left Berlin in 1938, but the city remained a firm point of reference for her.

In one of her last poems, Bleibtreu heißt die Straße, she writes "40 years ago I lived here [...] My happiness was at home here. And my hardship. This is where my child was born. And had to leave. My friends and the Gestapo visited me here", she concludes with the question "What remained of it? [...] an old wound unscarred"

Dota Kehr is from Berlin, writes lyrics, sings and has been making music with drummer Janis Görlich and guitarist Jan Rohrbach since 2003. They have now recorded 16 albums and played countless tours at home and abroad.

Dota hits the nerve of her time, or several of them, with her music, which jumps and dances, pauses, jumps off the quarry pond jetty, swims and dives to the bottom, which is also the title of one of her most beautiful songs. She mixes folk and indietronica and lets her love of Brazilian music shine through here and there.

Her lyrics are touching in their immediacy; Dota doesn't talk about the ivory tower, but about people here and now and their small triumphs and great abysses, their inadequacies in trying to be close and move in society.

At one of the concerts, a fan slips her a booklet by Mascha Kaléko. Dota is thrilled by the directness of the poems, the brevity of the language and decides to make music from the texts. She obtains permission from Kaléko's executor and asks songwriter friends if they would like to take part. Everyone is enthusiastic, and so this record features songs sung by Dota alone, but also duets with old and new voices from the German music scene such as Alin Coen, Hannes Wader, Max Prosa and Konstantin Wecker. The record is released in 2020 and stays in the album charts for 8 weeks, a success. Due to the pandemic, the accompanying tour does not take place until 2022, but is then celebrated all the more by the audience.

It is fortunate that Dota took up Kaléko's poems and turned them into songs. Like Dota, Kaléko's lyrics are not about myths and distant spheres, but about people; Kaléko talks about health insurance patients and Dota about pregnant women in DIY stores. So it is not at all surprising that Dota found it so easy to lend her voice to these related texts. Dota and her band have given the poems an additional layer, new colors, sometimes in contrast to the text, and have achieved the feat that, while listening to the songs, you never once think of poetry with musical accompaniment. Dota has rescued Mascha Kaléko's texts for our time, and even more: they sound as if they were written now, in this form.

And of course there was more to discover in Kaléko's volumes of poetry, essays, mixed notes and diary entries. Enough for a second record, again with well-known collaborators. This time, the music fits even better, Kaléko's lyrics move naturally and freely within it, sometimes in classic song form with verses and chorus, sometimes repeating a line evocatively until everyone has the phrase "How beautiful it is to be alone" pinned to their fridge

DOTA has been on tour since September 2023. With them: Dota Kehr (vocals, guitar), Janis Görlich (drums), Jan Rohrbach (guitar), Jonas Hauer (keyboards), and Maria Schneider (vibraphone, percussion, vocals).

There will be songs from the two Kaléko albums and some pieces by the band with their own lyrics. Acoustic, concertante, rousing!