by William Shakespeare
from the English by Heiner Müller, with the collaboration of Matthias Langhoff
using Heiner Müller's "Hamlet Machine"
Directed by Frank Castorf
Europe 1601, two years before the death of Queen Elizabeth, the signs of the imminent end of a happy era are mounting. Shakespeare's patron, a lover of the queen, is executed, his father dies, as does his son, who was called Hamnet. A turning point, an epochal threshold, William Shakespeare writes "Hamlet" and ventures into a new dimension, beyond all known genres.
No play has provoked so many contradictory interpretations. The author places his hero and the audience in a special kind of ignorance: an ultimate not-knowing, not a weakness in decision-making or hesitation, but rather an undecidability in the decisive questions, a not-knowing from which one cannot escape, which calls everything into question. This is how "Hamlet" has irritated and fascinated readers and audiences throughout the centuries. A "ghost" appears - can it be trusted? The depravity of the current ruler is obvious - but what are the consequences? The dark spots in the history of the fathers remain dark. Where is truth stored if there is no "spirit"?
In his grandiose short drama "Hamletmaschine", Heiner Müller follows the character Hamlet through the devastating history of the 20th century. Shakespeare's play itself, he writes, "is an attempt to describe an experience that has no reality in the time of description. An endgame in the dawn of an unknown day."
Further information: Hamlet | Deutsches Schauspielhaus Hamburg
This content has been machine translated.