We live in a time in which the packaging often seems more important than the content: every simple chocolate bar is turned into an exclusive taste event through advertising, the janitor is given the exclusive title of facility manager instead of a pay rise and love no longer leaps into our lives with Cupid's random arrow as it used to, but rather tailor-made and algorithm-based via Tinder and Parship.
Lucy van Kuhl also packages her findings in her fifth program in an extremely clever way: Ludicrous observations are wrapped in gentle piano sounds, tiny marginal observations are given a large poetic magnifying glass and the dreariness of an old people's home is suddenly transformed into a rousing 80+ party by a cloak of fantasy.