MOLA

In the organizer's words:

LIEBE BRUTAL TOUR 25
Indie Pop concert at KESSELHAUS

MOLA - that's unpronouncements à la "Mama, I don't want to be a mama" freely to

solemnly into the world; that is the dramatically charged last fag; that is

intoxicated flying and intoxicated falling. MOLA - these are snappy gutter pop earworms

and heartbreaking soul ballads that smell of punk leather jackets; these are pathos-soaked

Italo crooning in a thunderstorm, these are bittersweet symphonies from the indie rock

rumble cellar. MOLA - these are the sometimes crumpled, sometimes gloriously roaring

vocal arches of Isabella Streifeneder; these are catchy-brash guitar riffs, squeaking synths and dusty drums.

synths and dusty drums; this is the unmistakable signature of the eight-armed

multi-instrumentalist and producer Markus Sebastian Harbauer. MOLA - that's either

wistful, merciful or gallows-humorous hymns to crumbling dreams, escapades, the crappiness of things and life.

the crappiness of things and life without a driver's license; these are gruff punchlines against the

lies of adults, these are tussles with one's own heart, this is "all great or all

doesn't matter". MOLA - that's a red heart vomiting, monster-like creature with poisonous green eyes; that's

is radical friction, it is "snow in summer", it is "Liebe Brutal".

"Liebe Brutal", that's what it's to be called - the third, to be published in summer 2025 and

officially announced today, the third MOLA album. It sounds a good deal snappier, more agile,

and livelier than its predecessors - and yet as blunt and raspy as MOLA music has to sound.

must sound. "Liebe Brutal" is about heartbreak and heartache; about rushing through the night and

the night and waking up crumpled, about being a young professional, about - in whatever context

context - of flying off the rails, also and often of refusing to do so. A song that

touches on virtually all the core themes of the LP? The unadulterated, impulse-laden song, characterized by funky drums

and ripping indie-pop guitars, "Mama". The second pre-release single from "Liebe Brutal"

is MOLA's bossy and determined counter to every old-fashioned patriarchal

old-fashioned patriarchal sense of entitlement. "Mama" does not appear by chance twenty-four hours

hours before the feminist day of struggle. The play celebrates female self-determination and the conscious

the conscious decision to indulge in the sweet life instead of being turned into a birthing machine semi-voluntarily.

"Why be a mom now? Party without end, lose my own

custody".

Price information:

B.O. € 36,00 / VVK € 35,85