A surprisingly different Beethoven enters into dialog with a composer who finds the music of the present in historical material, peels it out, excavates it, as an archaeologist searching for the future: in the second part of Isabel Mundry's retrospective, Ensemble Resonanz presents the final version of her piece "Signatures", which is based on the last bar of a Mozart sonata, before Riccardo Minasi leads the ensemble through an unheard interpretation of Beethoven's "Eroica".
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