People want to laugh. We are human beings, we want to be happy and not always complain. But often we do. And that's exactly what happens on cabaret stages in the best case scenario: Elegant, clever and beautiful quarrelling with the big, but also the small issues of life. Failure as a hill to climb, success by chance, happiness as the result of the continuous pursuit of knowledge.
For 30 years, Nessi Tausendschön has been impossible to bomb off the stage. 30 years of sophisticatedly cultivated scraping, smooth large and small-scale art, baffling dance, melancholy contrition poetry and beautiful music. When Nessi celebrates the fractures of life, then even the soul-blind in the audience awaken from their distanced torpor, then the boundaries between inner, remembered emotional reality and outer physical presence, between public and private, even intimate, blur and no eye remains dry. In short: as a cabaret singer, Nessi has a tongue like a horsewhip, but as a singer she has a voice like an angel. A wonderful combination.
For the sake of completeness, it should be said that 30 years of stage life have not left Ms. Tausend- schön without a trace: She is the winner of the German Kleinkunstpreis and the Salzburger Stier. These awards may be representative of the numerous other honors with which the culture industry has honored the cabaret phenomenon Nessi Tausendschön.And one more thing: since the Böhmermann affair, we all know that satire does have an effect, even if it's only a state affair, haha. And with the knowledge of the small cog in the big world structure that I am, I can say with a clear conscience: I like being a cabaret artist.
An amusement lady, a fun whore, a joke prostitute, a joker, a fun curtisan, a fezdirne, a joke bitch, a joke whore, a gag slut, a joke call girl, today in new language this is probably called "Joke Account Facility Manager".
This content has been machine translated.