All three Samavayo band members grew up in East Berlin, in the districts of Lichtenberg and Friedrichshain. After the fall of the Wall, the city was open and allowed cultural influences from all countries. The capital became a multicultural melting pot in which a singer from Tehran and two brothers from Berlin began to make music. This was followed by over 600 live shows in Europe and overseas, including performances in Brazil, Albania, Greece, Croatia and France.
Samavayo's musical influences:
Wall of sound of the 90s, stoner rock and alternative rock, bands like Kyuss, Monster Magnet, QOTSA, Tool
Bands from the 70s like Jimi Hendrix, Led Zeppelin, Black Sabbath.
SAMAVAYO's current album "Pāyān" (Persian: The End) deals a lot with "the end". The end of the bad, the end of the good, the end of humanity, the end of the way we treat our planet. It's about the destruction of our planet, division, racism, greed, exploitation, war, isolation, loneliness. But every ending also means a beginning, a fresh start and a new beginning.
Musically, the record is audibly different from its predecessors: more heavy, more prog, a lot of anger and a pinch of punk, polyphonic Alice In Chains vocals and, last but not least, a splash of color from an illustrious group of guests who visited the studio and contributed solo parts that were unusual for SAMAVAYO: Igor Sydorenko (Stoned Jesus), Tommi Holappa (Greenleaf, Dozer), Nick DiSalvo (Elder) and Willi Paschen (Coogans Bluff) didn't take long to show up.
Without lighting the world music incense stick, the trio has consistently woven the oriental influences and sound colors further into the album and also included two songs with Persian vocals. The title track, as well as the cover version "Talagh" by Iranian pop icon Googoosh, are extremely dark versions that would also suit Tool rhythmically.
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