With this parcours format, originally developed for the Musée d'Art Moderne in Paris and now exclusively adapted for the Domforum, Emanuele Soavi, together with his many-member dance ensemble and sound artist Johannes Malfatti, goes in search of interfaces between visibility and dissolution, between presence and absence, past and future. A space of experience without barriers opens up for the audience on the Domplatte and in the Domforum, which is dedicated to survival and remaining visible - as artists and as people, even beyond their own boundaries - and allows them to experience contemporary dance up close.
With this parcours format, originally developed for the Musée d'Art Moderne in Paris and now exclusively adapted for the Domforum, Emanuele Soavi, together with his many-member dance ensemble and sound artist Johannes Malfatti, goes in search of interfaces between visibility and dissolution, between presence and absence, past and future. For the audience, a space of experience without barriers opens up on the Domplatte and in the Domforum, which is dedicated to survival and remaining visible - as an artist and as a person, even beyond one's own boundaries - and allows contemporary dance to be experienced at first hand.
The work of the Cologne-based Emanuele Soavi incompany focuses on questioning the relationship between music and dance, body and world, as well as the further development of a specialized body language. In various formats, it builds bridges between experiment and large-scale project, research and practice, heritage and the present. Not least in places far removed from dance, such as museums, churches, hotels, clubs and educational institutions, border crossings are created between artistic genres through to literature and the visual arts.
The work of the Cologne-based ensemble Emanuele Soavi incompany focuses on questioning the relationships between music and dance, the body and the world, as well as the ongoing development of a specialised body language. In various formats, it builds bridges between experiment and large-scale project, research and practice, heritage and the present. Even in places far removed from dance, such as museums, churches, hotels, clubs and educational institutions, border crossings are created between artistic genres and even literature and the visual arts.
Choreography Emanuele Soavi
in collaboration with the dancers Federico Casadei, Taeyeon Kim, Lisa Kirsch, Lorenzo Molinaro and students from the Center for Contemporary Dance at the Cologne University of Music and Dance
Composition / live sound Johannes Malfatti
Set design Raissa Kankelfitz
Technical direction Roman Sroka
Project management Miriam Leysner
Co-production Musée d'Art Moderne de Paris, Max Ernst Museum Brühl of the LVR
Supported by the Cultural Office of the City of Cologne, Ministry of Art and Science of the State of NRW, NRW State Office for the Independent Performing Arts, Kunststiftung NRW, KunstSalon-Stiftung
Supported by Goethe-Institut Paris, Cie La Baraka - Abou Lagraa & Nawal Aït Benalla - creative residency La Chapelle Annonay, ehrenfeldstudios, iDAS NRW
This content has been machine translated.