Filipinos are known for "serving the world" in a variety of roles - they take on jobs in the service sector worldwide, as domestic helpers, service and care workers or entertainers. With powerful pop and soulful ballads, Eisa Jocson and her fellow musicians explore the phenomenon of "Overseas Filipino Musicians (OFM)" - cover bands that cater to the global demand for Western music in hotels, clubs and amusement parks. Building on the vocal and gestural repertoire of the single "Superwoman" (1989) by American R&B singer Karyn White, "The Filipino Superwoman Band" deals with female-connoted emotional and care work. The song, which was a hit in Manila in the 90s, deals with a wife's complaint about being taken for granted. In their live band format with sound design by Teresa Barrozo and video projections by Franchesca Casauay, performers Eisa Jocson, Bunny Cadag and Cathrine Go celebrate the strength and diversity of Filipino migrant workers.
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