The exhibition "New Objectivity" at the Kunsthalle Mannheim in 1925 named an epochal phenomenon.
Alexander Kanoldt was represented there with 15 paintings. With his still lifes and landscapes, but also with his portraits, he is considered one of the most important representatives of the classical tendency of New Objectivity painting. The lecture deals with the stylistic phenomenon in general and places Kanoldt in the diverse spectrum.
With Dr. Inge Herold, Deputy Director, Kunsthalle Mannheim
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