John Londoño unveils his first solo exhibition in Berlin, Echoes of the Disposable, as part of the European Month of Photography 2025, exploring the tenuous threads of connection in a world where everything seems ephemeral and disposable.
In the silent realm of photography, Echoes of the Disposable explores the fractures of a world in flux. It reflects on transformation—how cities become obstacles, how nature remains a refuge, how human connections waver between disposability and resilience.
Photography is both a trace and an absence, preserving moments even as they slip away. The word disposable serves as a metaphor for uncertainty, for the fleeting nature of modern existence. The series contrasts images of urban alienation with moments of harmony between people and nature, questioning what kind of future we are shaping.
Dream-like and poetic, the images evoke a longing for connection in a shifting world. By capturing ephemeral moments, the series turns impermanence into permanence, offering glimpses of what might be preserved, rediscovered, or reimagined for the future.